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9 thoughts on “ Diminuendo And Crescendo In Blue

  1. View credits, reviews, tracks and shop for the Vinyl release of Diminuendo & Crescendo In Blue on Discogs/5(2).
  2. "Diminuendo and Crescendo in Blue" is a big band jazz composition written in by Duke Ellington. In its early form, the two individual pieces, "Diminuendo in Blue" and "Crescendo in Blue," were recorded on opposite sides of a 78 rpm record.
  3. Gonsalves does his thing with "Diminuendo and Crescendo in Blue." While nowhere approaching the 27 choruses of the Newport Jazz Festival version, his performance still generates sparks and shows no sign of ennui. "I Cover the Waterfront" is enhanced by a lovely Terry muted trumpet seguing into a soft melodic tenor by Gonsalves, making this 6/
  4. Dec 21,  · George Wein later remembered, “Every time I saw Duke after that, he would be talking about the introduction of Diminuendo and Crescendo in Blue, and he would say, ‘I was born at Newport in ’” The repercussions from that show helped to revive Duke Ellington’s balterpzardkimguibe.fectiocadjdekacsuthupemigithatslack.cos: 8.
  5. The Newport Jazz Festival put Ellington back on top solely because of the performance of Diminuendo And Crescendo In Blue (with 27 choruses by Paul Gonsalves on tenor saxophone) and, aided in large part, by a beautiful blonde woman whose dancing inspired the crowd nearly as /5().
  6. He was a driving, powerful soloist featured on numerous swing numbers, a style that reached its height during his historic solo bridging the two movements of the Ellington Orchestra's performance of “Diminuendo and Crescendo in Blue” at the Newport Jazz Festival in
  7. Apr 29,  · Diminuendo In Blue/Crescendo In Blue (CD: “The Complete Brunswick, Columbia, Master Recordings of Duke Ellington and his Famous Orchestra,” Mosaic Records #) Recorded 20 September , New York City. Arthur Whetsel, Cootie Williams, Freddie Jenkins – trumpets; Rex Stewart – cornet, Lawrence Brown, Joe Nanton, Juan Tizol – trombones; Johnny .
  8. Jul 17,  · In 'Diminuendo and Crescendo In Blue', the interdependence and heterogenity of his band is in full bloom. There are a number of solos -- Nanton (trumpet), Carney (baritone sax), Ellington (piano) in choruses 8, 9, and 10 respectively -- but those take place in a relatively short time frame, and with a minimum of improvisational stretch.
  9. On July 7, Duke Ellington and his Orchestra made jazz history at the Newport Jazz Festival playing a year-old piece of Ellington s entitled Diminuendo and Crescendo in Blue. The band was so hot and swinging that the audience caught the spirit, and achieved the same kind of frenzy that bands experienced during the height of the swing era.

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